If you haven’t encountered Malcolm Todd yet, “Sweet Boy” is the place to start. It’s casual, it’s funny, and it manages to be both very personal and completely universal. Todd’s been building momentum for his offbeat sound, and this album is the one where his sound comes together. Part experimental, part sentimental, like a mixtape for late nights, road trips, or just casual hangs with friends.
What makes this album particularly enjoyable to listen to is that it sounds so real. Todd’s singing voice is warm and conversational, sounding like he’s talking directly to you instead of singing to a stadium of fans. The production is understated but rich, with ethereal guitar playing, subtle percussion, and backing synths that propel the laid-back, nearly retro vibe. Songs slide into each other seamlessly, making the overall work feel unified without ever feeling repetitive.
The greatest asset of “Sweet Boy” is Todd’s songwriting. His lyrics are witty, clever, and sometimes revealing. He has this quality of grabbing little moments and emotions in such a way that is personal and somehow relatable. He never overdoes it and tries to be flashy or convoluted—he keeps things simple, and that is what makes it possible for the music to be so memorable. This balance is particularly evident in the title track itself, which has catchy head-nodding lyrics and a sing-along melody.
Of course, no album is perfect. Some listeners might find a few of the songs a little too low-key, and the minimal production means certain tracks can blend together if you’re not paying close attention. It would have been nice to hear a couple more moments where Todd pushed the energy higher or experimented with different sounds. However, this doesn’t mean you won’t find this energy in some of his other albums. Still, these small critiques don’t take away from the overall charm of the project.
Ultimately, “Sweet Boy” shows that Malcolm Todd can produce music that is authentic and easy to identify with. It’s a soulful, relaxed listen that’s perfect for anyone who likes indie-pop and lo-fi sounds mixed with authenticity. While it may not be the flashiest release of the year, it’s definitely one of the most authentic and repeatable.
